Your room may be giving you an unreliable idea about how your film or game sounds. Everything from the height of your ceiling to where your speakers are positioned can influence which sounds you miss and which sounds stand out. Does this matter? When you're the person responsible for assessing the efficacy of music, sound effects in your game, or the audio in a film, this absolutely matters. When our spaces aren't catered to accurate listening, we make mistakes based on wha

Learn what contact microphones, how to use them in your sound design, and common pitfalls you can avoid when recording with them.

There is no such thing as objective hearing! Understanding this can help us make sounds that are suited for a specific audience. So, what should we keep in mind when creating sounds for games? Factors to Consider About How We All Hear Differently: People with hearing loss lose their ability to hear high pitches first and low pitches last Children can hear higher pitches than adults (up to 20,000 Hz vs. up to 15,000 Hz) Infants hear all frequencies at the same time, meaning th

What if the last sounds in an attack combo, the last words your character say in your game, and the last sound your player hears late-game were remembered the best? A psychological phenomenon called the recency effect implies that this is likely the case. According the American Psychological Association , the Recency Effect i s "a memory phenomenon in which the most recently presented facts, impressions, or items are learned or remembered better than material presented earlie

A player's user experience is dependent on clarity and comprehension. If they know where to look on the screen, they're going to have an easier time understanding the gameplay. Our gaze follows gradual changes in pitch, so let's use this to our advantage. Here's we can use gradual changes in pitch and panning within the gameplay to improve your player's experience: Raise the Pitch When You Want Your Player to Look Up By designing certain attacks and maneuvers to have these c

We have a good reason to be stressed if we hear the rumble of an earthquake beneath our feet or the growl of a nearby bear. These sounds signal that our lives are in danger, and that we need to act fast to keep ourselves and loved ones safe. Our ancestors needed to hear a nearby predator's roar or a life-threatening storm coming towards us, so we've evolved to become tense when we hear certain low-pitched sounds. Here's how to use the power of these low frequencies to guide y

A look into how high pitches/frequencies can get a player's attention or cause ear fatigue depending how they're used. Use this tool wisely, game developers!

Secrets to performing foley and recording gore sounds for films and games. Think bone breaks, stabs, bloody squelches, and more.